The Resource Aardman animations : beyond stop motion, edited by Annabelle Honess Roe
Aardman animations : beyond stop motion, edited by Annabelle Honess Roe
Resource Information
The item Aardman animations : beyond stop motion, edited by Annabelle Honess Roe represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library.This item is available to borrow from 1 library branch.
Resource Information
The item Aardman animations : beyond stop motion, edited by Annabelle Honess Roe represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library.
This item is available to borrow from 1 library branch.
- Summary
- The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate 'Claymation' methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children's media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of 'British-ness' on screen and the implications of traditional animation methods in a digital era
- Language
- eng
- Extent
- 1 online resource ( ):
- Contents
-
- Joseph Darlington
- 3.
- Ỳahoo! My last moment has come': Peter Lord and the Literacy of Wit and Nostalgia
- Paul Wells
- 4.
- From Europe to Hollywood and Back Again: Aardman and Its Studio Partners
- Christopher Meir
- Section Two
- Cultural Contexts
- 5.
- Machine generated contents note:
- Aardman's Early Shorts and the British Social Realist Tradition
- Fatemeh Hosseini-Shakib
- 6.
- Darker Heartland: Otherness, Dysfunction and the Uncanny in Aardman's Short Films
- Jane Batkin
- 7.
- Washed Up: Animating Literary Corpses in The Pearce Sisters
- Nicholas Andrew Miller
- 8.
- Wallace and Gromit and the British Fantasy Tradition
- Section One
- Alexander Sergeant
- Section Three
- Process and Production
- 9.
- Animation Storyboarding as Part of the Pre-Production Process: An Aardman Case Study
- Paul Ward
- 10.
- Life's a Treat: Shaun, Timmy, Aardman and Children's Television
- Linda Simensky
- 11.
- Identity and Brand
- Shaun the Sheep -- Buster Keaton Reborn?
- Richard Haynes
- Section Four
- Surface and Performance
- 12.
- Aardman's Neo-Baroque: The Dual Nature of Special Effects in Aardman's Feature Film Production
- Thomas Walsh
- 13.
- Performing Authenticity through Clay in the Wallace and Gromit Films
- Laura Ivins
- 1.
- 14.
- Between Plasticine and Pixel: Aardman's Digital Thumbprint
- Christopher Holliday
- 15.
- Aardman! In an Entanglement with CGI!
- Aylish Wood
- Àll you do is call me, I'll be anything you need': Aardman Animations, Music Videos and Commercials
- Malcolm Cook
- 2.
- Music, Sound and Northernness in the Wallace and Gromit Films
- Isbn
- 9781350130319
- Label
- Aardman animations : beyond stop motion
- Title
- Aardman animations
- Title remainder
- beyond stop motion
- Statement of responsibility
- edited by Annabelle Honess Roe
- Language
- eng
- Summary
- The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate 'Claymation' methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children's media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of 'British-ness' on screen and the implications of traditional animation methods in a digital era
- Cataloging source
- NhCcYBP
- Dewey number
- 791.43340941
- Illustrations
- illustrations
- Index
- index present
- LC call number
- NC1765
- LC item number
- .A33 2020
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
-
- Honess Roe, Annabelle
- ProQuest (Firm)
- http://library.link/vocab/subjectName
-
- Aardman Animations (Firm)
- Animated films
- Animated television programs
- Label
- Aardman animations : beyond stop motion, edited by Annabelle Honess Roe
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
-
- text
- still image
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
-
- Joseph Darlington
- 3.
- Ỳahoo! My last moment has come': Peter Lord and the Literacy of Wit and Nostalgia
- Paul Wells
- 4.
- From Europe to Hollywood and Back Again: Aardman and Its Studio Partners
- Christopher Meir
- Section Two
- Cultural Contexts
- 5.
- Machine generated contents note:
- Aardman's Early Shorts and the British Social Realist Tradition
- Fatemeh Hosseini-Shakib
- 6.
- Darker Heartland: Otherness, Dysfunction and the Uncanny in Aardman's Short Films
- Jane Batkin
- 7.
- Washed Up: Animating Literary Corpses in The Pearce Sisters
- Nicholas Andrew Miller
- 8.
- Wallace and Gromit and the British Fantasy Tradition
- Section One
- Alexander Sergeant
- Section Three
- Process and Production
- 9.
- Animation Storyboarding as Part of the Pre-Production Process: An Aardman Case Study
- Paul Ward
- 10.
- Life's a Treat: Shaun, Timmy, Aardman and Children's Television
- Linda Simensky
- 11.
- Identity and Brand
- Shaun the Sheep -- Buster Keaton Reborn?
- Richard Haynes
- Section Four
- Surface and Performance
- 12.
- Aardman's Neo-Baroque: The Dual Nature of Special Effects in Aardman's Feature Film Production
- Thomas Walsh
- 13.
- Performing Authenticity through Clay in the Wallace and Gromit Films
- Laura Ivins
- 1.
- 14.
- Between Plasticine and Pixel: Aardman's Digital Thumbprint
- Christopher Holliday
- 15.
- Aardman! In an Entanglement with CGI!
- Aylish Wood
- Àll you do is call me, I'll be anything you need': Aardman Animations, Music Videos and Commercials
- Malcolm Cook
- 2.
- Music, Sound and Northernness in the Wallace and Gromit Films
- Control code
- MSTDDA6031958
- Dimensions
- unknown
- Extent
- 1 online resource ( ):
- Form of item
- online
- Isbn
- 9781350130319
- Media category
- electronic
- Media MARC source
- isbdmedia
- Other control number
- 10.5040/9781350130319
- Other physical details
- illustrations (black and white)
- Reproduction note
- Electronic reproduction.
- Specific material designation
- remote
- Label
- Aardman animations : beyond stop motion, edited by Annabelle Honess Roe
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
-
- text
- still image
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
-
- Joseph Darlington
- 3.
- Ỳahoo! My last moment has come': Peter Lord and the Literacy of Wit and Nostalgia
- Paul Wells
- 4.
- From Europe to Hollywood and Back Again: Aardman and Its Studio Partners
- Christopher Meir
- Section Two
- Cultural Contexts
- 5.
- Machine generated contents note:
- Aardman's Early Shorts and the British Social Realist Tradition
- Fatemeh Hosseini-Shakib
- 6.
- Darker Heartland: Otherness, Dysfunction and the Uncanny in Aardman's Short Films
- Jane Batkin
- 7.
- Washed Up: Animating Literary Corpses in The Pearce Sisters
- Nicholas Andrew Miller
- 8.
- Wallace and Gromit and the British Fantasy Tradition
- Section One
- Alexander Sergeant
- Section Three
- Process and Production
- 9.
- Animation Storyboarding as Part of the Pre-Production Process: An Aardman Case Study
- Paul Ward
- 10.
- Life's a Treat: Shaun, Timmy, Aardman and Children's Television
- Linda Simensky
- 11.
- Identity and Brand
- Shaun the Sheep -- Buster Keaton Reborn?
- Richard Haynes
- Section Four
- Surface and Performance
- 12.
- Aardman's Neo-Baroque: The Dual Nature of Special Effects in Aardman's Feature Film Production
- Thomas Walsh
- 13.
- Performing Authenticity through Clay in the Wallace and Gromit Films
- Laura Ivins
- 1.
- 14.
- Between Plasticine and Pixel: Aardman's Digital Thumbprint
- Christopher Holliday
- 15.
- Aardman! In an Entanglement with CGI!
- Aylish Wood
- Àll you do is call me, I'll be anything you need': Aardman Animations, Music Videos and Commercials
- Malcolm Cook
- 2.
- Music, Sound and Northernness in the Wallace and Gromit Films
- Control code
- MSTDDA6031958
- Dimensions
- unknown
- Extent
- 1 online resource ( ):
- Form of item
- online
- Isbn
- 9781350130319
- Media category
- electronic
- Media MARC source
- isbdmedia
- Other control number
- 10.5040/9781350130319
- Other physical details
- illustrations (black and white)
- Reproduction note
- Electronic reproduction.
- Specific material designation
- remote
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.mst.edu/portal/Aardman-animations--beyond-stop-motion-edited/M0GmA9GOkOE/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.mst.edu/portal/Aardman-animations--beyond-stop-motion-edited/M0GmA9GOkOE/">Aardman animations : beyond stop motion, edited by Annabelle Honess Roe</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.mst.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.mst.edu/">Missouri University of Science & Technology Library</a></span></span></span></span></div>
