Coverart for item
The Resource Actor training, edited by Alison Hodge

Actor training, edited by Alison Hodge

Label
Actor training
Title
Actor training
Statement of responsibility
edited by Alison Hodge
Contributor
Subject
Language
eng
Summary
Presents an introduction to how actor training shapes modern theatre
Member of
Cataloging source
N$T
http://bibfra.me/vocab/lite/collectionName
Twentieth century actor training
Dewey number
792.02/807
Illustrations
illustrations
Index
index present
LC call number
PN2075
LC item number
.T94 2010eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1959-
http://library.link/vocab/relatedWorkOrContributorName
Hodge, Alison
http://library.link/vocab/subjectName
  • Acting
  • PERFORMING ARTS
  • Acting
Label
Actor training, edited by Alison Hodge
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Michel Saint-Denis: training the complete actor
  • Jane Baldwin
  • The Knebel technique: active analysis in practice
  • Sharon Marie Carnicke
  • Brecht and actor training: on whose behalf do we act?
  • Peter Thomson
  • Joan Littlewood
  • Clive Barker
  • Strasberg, Adler and Meisner: method acting
  • David Krasner
  • Stanislavsky's system: pathways for the actor
  • Joseph Chaikin and aspects of actor training: possibilities rendered present
  • Dorinda Hulton
  • Peter Brook: transparency and the invisible network
  • Lorna Marshall and David Williams
  • Grotowski's vision of the actor: the search for contact
  • Lisa Wolford
  • Jacques Lecoq, Monika Pagneux and Philippe Gaulier: training for play, lightness and disobedience
  • Simon Murray
  • Training with Eugenio Barba: acting principles, the pre-expressive and "personal temperature"
  • Ian Watson
  • Sharon Marie Carnicke
  • Ariane Mnouchkine and the Théâtre du Soleil: theatricalising history; the theatre as metaphor; the actor as signifier
  • Helen E. Richardson
  • Włodzimierz Staniewski : Gardzienice and the naturalised actor
  • Alison Hodge
  • Anne Bogart and SITI Company: creating the moment
  • Royd Climenhaga
  • Augusto Boal and the Theatre of the Oppressed
  • Frances Babbage
  • Meyerhold and Biomechanics
  • Rrobert Leach
  • Jacques Copeau: the quest for sincerity
  • John Rudlin --
  • Michael Chekhov on the technique of acting: "was Don Quixote true to life?"
  • Franc Chamberlain
Control code
609589023
Dimensions
unknown
Edition
2nd ed.
Extent
1 online resource (xxvi, 336 pages)
File format
unknown
Form of item
online
Isbn
9780203861370
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
illustrations
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)609589023
Label
Actor training, edited by Alison Hodge
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Michel Saint-Denis: training the complete actor
  • Jane Baldwin
  • The Knebel technique: active analysis in practice
  • Sharon Marie Carnicke
  • Brecht and actor training: on whose behalf do we act?
  • Peter Thomson
  • Joan Littlewood
  • Clive Barker
  • Strasberg, Adler and Meisner: method acting
  • David Krasner
  • Stanislavsky's system: pathways for the actor
  • Joseph Chaikin and aspects of actor training: possibilities rendered present
  • Dorinda Hulton
  • Peter Brook: transparency and the invisible network
  • Lorna Marshall and David Williams
  • Grotowski's vision of the actor: the search for contact
  • Lisa Wolford
  • Jacques Lecoq, Monika Pagneux and Philippe Gaulier: training for play, lightness and disobedience
  • Simon Murray
  • Training with Eugenio Barba: acting principles, the pre-expressive and "personal temperature"
  • Ian Watson
  • Sharon Marie Carnicke
  • Ariane Mnouchkine and the Théâtre du Soleil: theatricalising history; the theatre as metaphor; the actor as signifier
  • Helen E. Richardson
  • Włodzimierz Staniewski : Gardzienice and the naturalised actor
  • Alison Hodge
  • Anne Bogart and SITI Company: creating the moment
  • Royd Climenhaga
  • Augusto Boal and the Theatre of the Oppressed
  • Frances Babbage
  • Meyerhold and Biomechanics
  • Rrobert Leach
  • Jacques Copeau: the quest for sincerity
  • John Rudlin --
  • Michael Chekhov on the technique of acting: "was Don Quixote true to life?"
  • Franc Chamberlain
Control code
609589023
Dimensions
unknown
Edition
2nd ed.
Extent
1 online resource (xxvi, 336 pages)
File format
unknown
Form of item
online
Isbn
9780203861370
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
illustrations
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)609589023

Library Locations

    • Curtis Laws Wilson LibraryBorrow it
      400 West 14th Street, Rolla, MO, 65409, US
      37.955220 -91.772210
Processing Feedback ...