Coverart for item
The Resource Alleviative objects : intersectional entanglement and progressive racism in Caribbean art, David Frohnapfel

Alleviative objects : intersectional entanglement and progressive racism in Caribbean art, David Frohnapfel

Label
Alleviative objects : intersectional entanglement and progressive racism in Caribbean art
Title
Alleviative objects
Title remainder
intersectional entanglement and progressive racism in Caribbean art
Statement of responsibility
David Frohnapfel
Creator
Contributor
Subject
Language
eng
Member of
Cataloging source
NhCcYBP
http://library.link/vocab/creatorName
Frohnapfel, David
Degree
Thesis (doctoral)
Dewey number
709.7294
Dissertation year
2017
Granting institution
Freie Universität Berlin
Illustrations
illustrations
Index
no index present
LC call number
N6606
LC item number
.F76 2021
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
ProQuest (Firm)
Series statement
Postcolonial Studies
Series volume
v. 43
http://library.link/vocab/subjectName
  • Art, Haitian
  • Art, Caribbean
  • Intersectionality (Sociology)
  • Racism in art
Label
Alleviative objects : intersectional entanglement and progressive racism in Caribbean art, David Frohnapfel
Instantiates
Publication
Copyright
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Institution Building: Barbara Prezeau Stephenson and La Fondation AfricAmericA
  • 1.4.
  • Urban Sculptures as Unhappy Objects
  • 1.5.
  • Rekiperasyon in Port-au-Prince
  • 1.6.
  • Room of Mario Benjamin
  • 2.
  • Conditional Hospitality: Atis Rezistans In European And U.S. American Art Institutions
  • 2.1.
  • Machine generated contents note:
  • Vodou Art Network: Contemporary Haitian Art as Post-Apocalyptic Images
  • 2.2.
  • Vodou as an Authenticating Mechanism'
  • 2.3.
  • Black Hyper-Masculinity
  • 2.4.
  • Towards Situated Curations
  • 3.
  • Gestures Of Generosity: Politics Of Emotions At The Ghetto Biennale In Port-Au-Prince
  • 3.1.
  • 1.
  • Fatigued by Sameness: the Ghetto Biennale as a Curated Social Situation
  • 3.2.
  • Artistic Poverty Tourism
  • 3.3.
  • Politics of Pity and the Spiral of Moral Accusations
  • 3.4.
  • Performances of Affirmation
  • 3.5.
  • Deskilling as a Response to Anti-Eurocentric Benevolence
  • 3.6.
  • Sharing Silences: Inter-Klas Dialogues in the Art Scene of Port-Au-Prince
  • Community Antagonism
  • 4.
  • Between Harmony And Anger: Exhibition Spaces By Eugene, Guyodo, Getho, And Papa Da
  • 4.1.
  • Andre Eugene's Musee d'Art: B̀ig Man-ism' at Gran Ri
  • 4.2.
  • Frantz Jacques a.k.a. Guyodo: Everybody likes a Good Outsider Story
  • 4.3.
  • Royaume des Ordures Vivantes by Getho Jean Baptiste
  • 4.4.
  • 1.1.
  • Musee des Esprits e d'Art by Alphonse Jean Jr. a.k.a. Papa Da
  • 5.
  • Disobedient Musealities: The Master's Tools Revisited
  • 5.1.
  • GUYODO at Le Centre Culturel AfricAmericA
  • 5.2.
  • Monstrous Orders and Ugly Feeling
  • 5.3.
  • Reconfiguring Hierarchies through a Politics of Deviance
  • 5.4.
  • Narrating Class Frictions
  • Against Zonbi Curators: Museums as Spaces of Care
  • 1.2.
  • Artistic Klas Isolation
  • 1.3.
Control code
MSTDDA6424784
Extent
1 online resource ( 319 pages):
Form of item
online
Isbn
9783839455920
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Reproduction note
Electronic reproduction.
Specific material designation
remote
Label
Alleviative objects : intersectional entanglement and progressive racism in Caribbean art, David Frohnapfel
Publication
Copyright
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Institution Building: Barbara Prezeau Stephenson and La Fondation AfricAmericA
  • 1.4.
  • Urban Sculptures as Unhappy Objects
  • 1.5.
  • Rekiperasyon in Port-au-Prince
  • 1.6.
  • Room of Mario Benjamin
  • 2.
  • Conditional Hospitality: Atis Rezistans In European And U.S. American Art Institutions
  • 2.1.
  • Machine generated contents note:
  • Vodou Art Network: Contemporary Haitian Art as Post-Apocalyptic Images
  • 2.2.
  • Vodou as an Authenticating Mechanism'
  • 2.3.
  • Black Hyper-Masculinity
  • 2.4.
  • Towards Situated Curations
  • 3.
  • Gestures Of Generosity: Politics Of Emotions At The Ghetto Biennale In Port-Au-Prince
  • 3.1.
  • 1.
  • Fatigued by Sameness: the Ghetto Biennale as a Curated Social Situation
  • 3.2.
  • Artistic Poverty Tourism
  • 3.3.
  • Politics of Pity and the Spiral of Moral Accusations
  • 3.4.
  • Performances of Affirmation
  • 3.5.
  • Deskilling as a Response to Anti-Eurocentric Benevolence
  • 3.6.
  • Sharing Silences: Inter-Klas Dialogues in the Art Scene of Port-Au-Prince
  • Community Antagonism
  • 4.
  • Between Harmony And Anger: Exhibition Spaces By Eugene, Guyodo, Getho, And Papa Da
  • 4.1.
  • Andre Eugene's Musee d'Art: B̀ig Man-ism' at Gran Ri
  • 4.2.
  • Frantz Jacques a.k.a. Guyodo: Everybody likes a Good Outsider Story
  • 4.3.
  • Royaume des Ordures Vivantes by Getho Jean Baptiste
  • 4.4.
  • 1.1.
  • Musee des Esprits e d'Art by Alphonse Jean Jr. a.k.a. Papa Da
  • 5.
  • Disobedient Musealities: The Master's Tools Revisited
  • 5.1.
  • GUYODO at Le Centre Culturel AfricAmericA
  • 5.2.
  • Monstrous Orders and Ugly Feeling
  • 5.3.
  • Reconfiguring Hierarchies through a Politics of Deviance
  • 5.4.
  • Narrating Class Frictions
  • Against Zonbi Curators: Museums as Spaces of Care
  • 1.2.
  • Artistic Klas Isolation
  • 1.3.
Control code
MSTDDA6424784
Extent
1 online resource ( 319 pages):
Form of item
online
Isbn
9783839455920
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Reproduction note
Electronic reproduction.
Specific material designation
remote

Library Locations

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      400 West 14th Street, Rolla, MO, 65409, US
      37.955220 -91.772210
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