Coverart for item
The Resource Back to the Futurists : the avant-garde and its legacy

Back to the Futurists : the avant-garde and its legacy

Label
Back to the Futurists : the avant-garde and its legacy
Title
Back to the Futurists
Title remainder
the avant-garde and its legacy
Creator
Contributor
Subject
Language
eng
Summary
This collection of essays aims to reassess the activities and legacy of the Italian Futurist movement from an international and interdisciplinary perspective
Member of
Cataloging source
EBLCP
http://library.link/vocab/creatorName
Adamowicz, Elza
Dewey number
700.94500000000005
Index
no index present
Language note
In English
LC call number
NX552.A1.B335 2013
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
Storchi, Simona
http://library.link/vocab/subjectName
  • Futurism (Art)
  • Futurism (Literary movement)
  • Futurism (Art)
  • Futurism (Art)
  • Futurism (Literary movement)
  • Italy
Label
Back to the Futurists : the avant-garde and its legacy
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Back to the Futurists: The Avant-garde; Half Title Page; Title Page; Copyright; Contents; List of figures; Notes on contributors; Introduction: Elza Adamowicz and Simona Storchi; 1. Engaging the crowd: the Futurist manifesto as avant-garde advertisement: Matthew McLendon ; 2. Heroes/heroines of Futurist culture: oltreuomo/oltredonna: Jennifer Griffiths; 3. 'Out of touch': F.T. Marinetti's Il tattilismo and the Futurist critique of separation: Pierpaolo Antonello; 4. La bomba-romanzo esplosivo, or Dada's burning heart: Dafydd Jones
  • 5. Futurist canons and the development of avant-garde historiography (Futurism-6. 'An infinity of living forms, representative of the absolute'? Reading Futurism with Pierre Albert-Birot as witness, creative collaborator and dissenter: Debra Kelly; 7. The dispute over simultaneity: Boccioni -- Delaunay, interpretational error or Bergsonian practice?: Delphine Bière; 8. Fernand Léger's La noce: the bride stripped bare?: Elza Adamowicz; 9. Nocturnal itineraries: Occultism and the metamorphic self in Florentine Futurism: Paola Sica
  • 10. 'A hysterical hullo-bulloo about motor cars': the Vorticist critique of Futurism, 1914-1919: Jonathan Black11. Futurist performance, 1910-1916: Günter Berghaus; 12. Le Roi Bombance: the original Futurist cookbook?: Selena Daly; 13. The cult of the 'expressive' in Italian Futurist poetry: new challenges to reading: John J. White; 14. Visual approaches to Futurist aeropoetry: Willard Bohn; 15. The Untameables: language and politics in Gramsci and Marinetti: Sascha Bru; 16. The dark side of Futurism: Marinetti and technological war: Marja Härmänmaa
  • 17. Rethinking interdisciplinarity: Futurist cinema as metamedium18. A Very Beautiful Day After Tomorrow: Luca Buvoli and the legacy of Futurism: Elisa Sai ; Index
Control code
960165864
Dimensions
unknown
Extent
1 online resource (318 pages)
Form of item
online
Isbn
9781526102003
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
10.7765/9781526102003
Specific material designation
remote
System control number
(OCoLC)960165864
Label
Back to the Futurists : the avant-garde and its legacy
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Back to the Futurists: The Avant-garde; Half Title Page; Title Page; Copyright; Contents; List of figures; Notes on contributors; Introduction: Elza Adamowicz and Simona Storchi; 1. Engaging the crowd: the Futurist manifesto as avant-garde advertisement: Matthew McLendon ; 2. Heroes/heroines of Futurist culture: oltreuomo/oltredonna: Jennifer Griffiths; 3. 'Out of touch': F.T. Marinetti's Il tattilismo and the Futurist critique of separation: Pierpaolo Antonello; 4. La bomba-romanzo esplosivo, or Dada's burning heart: Dafydd Jones
  • 5. Futurist canons and the development of avant-garde historiography (Futurism-6. 'An infinity of living forms, representative of the absolute'? Reading Futurism with Pierre Albert-Birot as witness, creative collaborator and dissenter: Debra Kelly; 7. The dispute over simultaneity: Boccioni -- Delaunay, interpretational error or Bergsonian practice?: Delphine Bière; 8. Fernand Léger's La noce: the bride stripped bare?: Elza Adamowicz; 9. Nocturnal itineraries: Occultism and the metamorphic self in Florentine Futurism: Paola Sica
  • 10. 'A hysterical hullo-bulloo about motor cars': the Vorticist critique of Futurism, 1914-1919: Jonathan Black11. Futurist performance, 1910-1916: Günter Berghaus; 12. Le Roi Bombance: the original Futurist cookbook?: Selena Daly; 13. The cult of the 'expressive' in Italian Futurist poetry: new challenges to reading: John J. White; 14. Visual approaches to Futurist aeropoetry: Willard Bohn; 15. The Untameables: language and politics in Gramsci and Marinetti: Sascha Bru; 16. The dark side of Futurism: Marinetti and technological war: Marja Härmänmaa
  • 17. Rethinking interdisciplinarity: Futurist cinema as metamedium18. A Very Beautiful Day After Tomorrow: Luca Buvoli and the legacy of Futurism: Elisa Sai ; Index
Control code
960165864
Dimensions
unknown
Extent
1 online resource (318 pages)
Form of item
online
Isbn
9781526102003
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
10.7765/9781526102003
Specific material designation
remote
System control number
(OCoLC)960165864

Library Locations

    • Curtis Laws Wilson LibraryBorrow it
      400 West 14th Street, Rolla, MO, 65409, US
      37.955220 -91.772210
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