Coverart for item
The Resource Bartok's viola concerto : the remarkable story of his swansong

Bartok's viola concerto : the remarkable story of his swansong

Label
Bartok's viola concerto : the remarkable story of his swansong
Title
Bartok's viola concerto
Title remainder
the remarkable story of his swansong
Creator
Subject
Language
eng
Summary
This text tells the intriguing story of Bela Bartok's viola concerto, a work left unfinished at his death in 1945. Drawing on interviews and documents that reveal previously unavailable information, it discusses the commission, reception and future possibilities
Member of
Cataloging source
YDXCP
http://library.link/vocab/creatorName
Maurice, Donald
Dewey number
784.2/73
Index
no index present
LC call number
MT
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/subjectName
  • Bartók, Béla
  • Music Instruction & Study
  • Music
  • Music, Dance, Drama & Film
Label
Bartok's viola concerto : the remarkable story of his swansong
Instantiates
Publication
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Introduction: Outline of the special problems associated with this work; Chapter One. Genesis: Circumstances, commission, composition, influences, and the manuscript; Chapter Two. The Reconstruction: A critical examination of the work of Tibor Serly; Chapter Three. Première and Publication: An account of the events of 1945-49 that led up to the first performance; Chapter Four. Reception: Reaction to the first fifty years of the Bartók/Serly Viola Concerto; Chapter Five. Some Aspects of Structure: Examination of form and possible presence of the Fibonacci series
  • Chapter Six. Revisions: The revisions of Atar Arad, Csaba Erdélyi, Peter Bartók, and Donald MauriceChapter Seven. Authenticity: Future attempts to achieve a more authentic Bartók Viola Concerto; Chapter Eight. Compositional Interpretation: Focus on structure, melody, pitch organization, rhythm, and orchestration and texture; Chapter Nine. Performance Interpretation: Focus on tempi, dynamics, phrasing, and articulation in the solo viola part; Chapter Ten. The Future and Legal Issues: Bartók's will and estate and matters of copyright; Conclusion; Appendixes
  • Appendix One. Correspondence from Tibor Serly to Benjamin SuchoffAppendex Two. Correspondence between Tibor Serly and Victor Bator; Appendix Three. Boosey & Hawkes Correspondence; Appendix Four. Burton Fisch; Appendix Five. Extracts from the Program of the World Première; Appendix Six. Reviews of the Early Performances; Appendix Seven. Tibor Serly's Response to Halsey Stevens; Appendix Eight. Recording Review Summary from Strad Magazine; Appendix Nine. "The Thirteen Pages" by Atar Arad; Appendix Ten. Peter Bartók and Nelson Dellamaggiore; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; K
  • LM; N; O; P; R; S; T; U; V; W; Z
Control code
191038713
Extent
1 online resource (pages)
Form of item
online
Isbn
9781602569997
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
System control number
(OCoLC)191038713
Label
Bartok's viola concerto : the remarkable story of his swansong
Publication
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Introduction: Outline of the special problems associated with this work; Chapter One. Genesis: Circumstances, commission, composition, influences, and the manuscript; Chapter Two. The Reconstruction: A critical examination of the work of Tibor Serly; Chapter Three. Première and Publication: An account of the events of 1945-49 that led up to the first performance; Chapter Four. Reception: Reaction to the first fifty years of the Bartók/Serly Viola Concerto; Chapter Five. Some Aspects of Structure: Examination of form and possible presence of the Fibonacci series
  • Chapter Six. Revisions: The revisions of Atar Arad, Csaba Erdélyi, Peter Bartók, and Donald MauriceChapter Seven. Authenticity: Future attempts to achieve a more authentic Bartók Viola Concerto; Chapter Eight. Compositional Interpretation: Focus on structure, melody, pitch organization, rhythm, and orchestration and texture; Chapter Nine. Performance Interpretation: Focus on tempi, dynamics, phrasing, and articulation in the solo viola part; Chapter Ten. The Future and Legal Issues: Bartók's will and estate and matters of copyright; Conclusion; Appendixes
  • Appendix One. Correspondence from Tibor Serly to Benjamin SuchoffAppendex Two. Correspondence between Tibor Serly and Victor Bator; Appendix Three. Boosey & Hawkes Correspondence; Appendix Four. Burton Fisch; Appendix Five. Extracts from the Program of the World Première; Appendix Six. Reviews of the Early Performances; Appendix Seven. Tibor Serly's Response to Halsey Stevens; Appendix Eight. Recording Review Summary from Strad Magazine; Appendix Nine. "The Thirteen Pages" by Atar Arad; Appendix Ten. Peter Bartók and Nelson Dellamaggiore; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; K
  • LM; N; O; P; R; S; T; U; V; W; Z
Control code
191038713
Extent
1 online resource (pages)
Form of item
online
Isbn
9781602569997
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
System control number
(OCoLC)191038713

Library Locations

    • Curtis Laws Wilson LibraryBorrow it
      400 West 14th Street, Rolla, MO, 65409, US
      37.955220 -91.772210
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