Coverart for item
The Resource Captive audience : prison and captivity in contemporary theater, edited by Thomas Fahy and Kimball King

Captive audience : prison and captivity in contemporary theater, edited by Thomas Fahy and Kimball King

Label
Captive audience : prison and captivity in contemporary theater
Title
Captive audience
Title remainder
prison and captivity in contemporary theater
Statement of responsibility
edited by Thomas Fahy and Kimball King
Contributor
Subject
Genre
Language
eng
Summary
This all-new collection examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre
Member of
Is part of
Action
digitized
Cataloging source
MT4IT
Dewey number
809.2/9355
Index
index present
LC call number
PN1650.P74
LC item number
C37 2003eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Fahy, Thomas Richard
  • King, Kimball
Series statement
Studies in modern drama
Series volume
19
http://library.link/vocab/subjectName
  • Drama
  • Prisons in literature
  • Prisoners in literature
  • Imprisonment in literature
  • Théâtre (Genre littéraire)
  • Prisons dans la littérature
  • Prisonniers dans la littérature
  • Emprisonnement dans la littérature
  • TRAVEL
  • LITERARY CRITICISM
  • Drama
  • Imprisonment in literature
  • Prisoners in literature
  • Prisons in literature
  • Théâtre (genre littéraire)
  • Prisons
  • Prisonniers
  • Emprisonnement
Label
Captive audience : prison and captivity in contemporary theater, edited by Thomas Fahy and Kimball King
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
other
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Fiona Mills
  • PART II
  • On prisons in the United States: extract from a speech delivered to the confederation of analytical psychologists, London, 25 June 1999
  • Harold Pinter
  • Harold Pinter's prison house: the screenplay of Kafka's The trial
  • Ann C. Hall
  • Harold Pinter's The handmaid's tale: freedom, prison, and a hijacked script
  • Christopher C. Hudgins
  • "World of bodies": performing flesh in Marat/Sade
  • Pamela Cooper
  • Captive audience: an introduction
  • Disposal: William Inge's abject drama
  • Robert F. Gross
  • "In dark corners": masculinity and art in Tennessee Williams's Not about nightingales
  • Thomas Fahy
  • Physical prisons: Naomi Wallace's drama of captivity
  • Claudia Barnett
  • No exit and Waiting for Godot: performances in contrast
  • Lois Gordon
  • Thomas Fahy
  • PART I
  • Confessional voice: Medea's brutal imagination
  • Rena Fraden
  • Emotional contraband: prison as metaphor and meaning in U.S. Latina drama
  • Tiffany Ana Lopez
  • Seeing ethnicity: the impact of race and class on the critical reception of Miguel Piñero's Short eyes
Control code
252885035
Dimensions
unknown
Extent
1 online resource (196 pages)
Form of item
online
Isbn
9780203494851
Lccn
2003002697
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
  • 99960404477
  • 9786610047949
http://library.link/vocab/ext/overdrive/overdriveId
  • cis4989594
  • 4794
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)252885035
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
Captive audience : prison and captivity in contemporary theater, edited by Thomas Fahy and Kimball King
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
other
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Fiona Mills
  • PART II
  • On prisons in the United States: extract from a speech delivered to the confederation of analytical psychologists, London, 25 June 1999
  • Harold Pinter
  • Harold Pinter's prison house: the screenplay of Kafka's The trial
  • Ann C. Hall
  • Harold Pinter's The handmaid's tale: freedom, prison, and a hijacked script
  • Christopher C. Hudgins
  • "World of bodies": performing flesh in Marat/Sade
  • Pamela Cooper
  • Captive audience: an introduction
  • Disposal: William Inge's abject drama
  • Robert F. Gross
  • "In dark corners": masculinity and art in Tennessee Williams's Not about nightingales
  • Thomas Fahy
  • Physical prisons: Naomi Wallace's drama of captivity
  • Claudia Barnett
  • No exit and Waiting for Godot: performances in contrast
  • Lois Gordon
  • Thomas Fahy
  • PART I
  • Confessional voice: Medea's brutal imagination
  • Rena Fraden
  • Emotional contraband: prison as metaphor and meaning in U.S. Latina drama
  • Tiffany Ana Lopez
  • Seeing ethnicity: the impact of race and class on the critical reception of Miguel Piñero's Short eyes
Control code
252885035
Dimensions
unknown
Extent
1 online resource (196 pages)
Form of item
online
Isbn
9780203494851
Lccn
2003002697
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
  • 99960404477
  • 9786610047949
http://library.link/vocab/ext/overdrive/overdriveId
  • cis4989594
  • 4794
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)252885035
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

Library Locations

    • Curtis Laws Wilson LibraryBorrow it
      400 West 14th Street, Rolla, MO, 65409, US
      37.955220 -91.772210
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