The Resource Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn, Cybelle H. McFadden
Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn, Cybelle H. McFadden
Resource Information
The item Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn, Cybelle H. McFadden represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library.This item is available to borrow from 1 library branch.
Resource Information
The item Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn, Cybelle H. McFadden represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library.
This item is available to borrow from 1 library branch.
- Summary
- Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure representation, gender, and cinema
- Language
- eng
- Extent
- 1 online resource (xii, 233 pages)
- Contents
-
- Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009)
- Section 1. Self-authorization through self-representation
- Reflected reflexivity: Agnès Varda's aging female body
- Enacted reflexivity: Chantal Akerman par Chantal Akerman
- Hybrid reflexivity: Dominique Cabrera's half-body, half-camera
- Section 2. Self-construction through faux narratives
- Orchestrated reflexivity: Sophie Calle's narrative body as artist
- Faux reflexivity: Maïwenn's camera and the female body
- Conclusion: Reflections on gendered frames, embodied cameras
- Isbn
- 9781611476330
- Label
- Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn
- Title
- Gendered frames, embodied cameras
- Title remainder
- Varda, Akerman, Cabrera, Calle, and Maïwenn
- Statement of responsibility
- Cybelle H. McFadden
- Subject
-
- Akerman, Chantal
- Akerman, Chantal -- Criticism and interpretation
- Cabrera, Dominique, 1957-
- Cabrera, Dominique, 1957- -- Criticism and interpretation
- Calle, Sophie
- Calle, Sophie -- Criticism and interpretation
- Criticism, interpretation, etc
- France
- Human body in motion pictures
- Human body in motion pictures
- Maïwenn, 1976- -- Criticism and interpretation
- Motion pictures
- Motion pictures -- France
- PERFORMING ARTS -- Reference
- Sex role in motion pictures
- Sex role in motion pictures
- Varda, Agnès, 1928-2019
- Varda, Agnès, 1928-2019 -- Criticism and interpretation
- Maïwenn, 1976-
- Language
- eng
- Summary
- Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure representation, gender, and cinema
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1975-
- http://library.link/vocab/creatorName
- McFadden, Cybelle H.
- Dewey number
- 791.4302/330925
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1998.3.V368
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- Varda, Agnès
- Akerman, Chantal
- Cabrera, Dominique
- Calle, Sophie
- Maïwenn
- Human body in motion pictures
- Sex role in motion pictures
- Motion pictures
- Akerman, Chantal
- Cabrera, Dominique
- Calle, Sophie
- Maïwenn
- Varda, Agnès
- PERFORMING ARTS
- Human body in motion pictures
- Motion pictures
- Sex role in motion pictures
- France
- Label
- Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn, Cybelle H. McFadden
- Bibliography note
- Includes bibliographical references (pages 221-228) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009) -- Section 1. Self-authorization through self-representation -- Reflected reflexivity: Agnès Varda's aging female body -- Enacted reflexivity: Chantal Akerman par Chantal Akerman -- Hybrid reflexivity: Dominique Cabrera's half-body, half-camera -- Section 2. Self-construction through faux narratives -- Orchestrated reflexivity: Sophie Calle's narrative body as artist -- Faux reflexivity: Maïwenn's camera and the female body -- Conclusion: Reflections on gendered frames, embodied cameras
- Control code
- 881183706
- Extent
- 1 online resource (xii, 233 pages)
- Form of item
- online
- Isbn
- 9781611476330
- Lccn
- 2020739686
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Specific material designation
- remote
- System control number
- (OCoLC)881183706
- Label
- Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn, Cybelle H. McFadden
- Bibliography note
- Includes bibliographical references (pages 221-228) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009) -- Section 1. Self-authorization through self-representation -- Reflected reflexivity: Agnès Varda's aging female body -- Enacted reflexivity: Chantal Akerman par Chantal Akerman -- Hybrid reflexivity: Dominique Cabrera's half-body, half-camera -- Section 2. Self-construction through faux narratives -- Orchestrated reflexivity: Sophie Calle's narrative body as artist -- Faux reflexivity: Maïwenn's camera and the female body -- Conclusion: Reflections on gendered frames, embodied cameras
- Control code
- 881183706
- Extent
- 1 online resource (xii, 233 pages)
- Form of item
- online
- Isbn
- 9781611476330
- Lccn
- 2020739686
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Specific material designation
- remote
- System control number
- (OCoLC)881183706
Subject
- Akerman, Chantal
- Akerman, Chantal -- Criticism and interpretation
- Cabrera, Dominique, 1957-
- Cabrera, Dominique, 1957- -- Criticism and interpretation
- Calle, Sophie
- Calle, Sophie -- Criticism and interpretation
- Criticism, interpretation, etc
- France
- Human body in motion pictures
- Human body in motion pictures
- Maïwenn, 1976- -- Criticism and interpretation
- Motion pictures
- Motion pictures -- France
- PERFORMING ARTS -- Reference
- Sex role in motion pictures
- Sex role in motion pictures
- Varda, Agnès, 1928-2019
- Varda, Agnès, 1928-2019 -- Criticism and interpretation
- Maïwenn, 1976-
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.mst.edu/portal/Gendered-frames-embodied-cameras--Varda/WG3tgJJnnNE/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.mst.edu/portal/Gendered-frames-embodied-cameras--Varda/WG3tgJJnnNE/">Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn, Cybelle H. McFadden</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.mst.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.mst.edu/">Missouri University of Science & Technology Library</a></span></span></span></span></div>
