The Resource Patronage, gender and the arts in early modern Italy : essays in honor of Carolyn Valone, Katherine A. McIver and Cynthia Stollhans, editors
Patronage, gender and the arts in early modern Italy : essays in honor of Carolyn Valone, Katherine A. McIver and Cynthia Stollhans, editors
Resource Information
The item Patronage, gender and the arts in early modern Italy : essays in honor of Carolyn Valone, Katherine A. McIver and Cynthia Stollhans, editors represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library.This item is available to borrow from 1 library branch.
Resource Information
The item Patronage, gender and the arts in early modern Italy : essays in honor of Carolyn Valone, Katherine A. McIver and Cynthia Stollhans, editors represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library.
This item is available to borrow from 1 library branch.
- Summary
- The sixteen articles in this volume celebrate the work and legacy of Carolyn Valone, professor of Art History, teacher, mentor and friend to many. Valone's publications on ""matrons as patrons"" and ""pie donne"" became influential, ground-breaking work in the 1990s. Her continuing research on women as patrons of art and architecture has pioneered a methodological approach that many scholars have followed. 53 color and black and white illustrations. Bibliography of Carolyn Valone's Works, index
- Language
- eng
- Extent
- 1 online resource
- Contents
-
- Intro; The "Wife's Room" in Florentine Palaces of the Fifteenth and Sixteenth Centuries; Fig. 9. Plan of the primo piano of the Capponi-Barocchi Palace in the fifteenth and sixteenth centuries (reconstruction) (Caterina D'Amelio). (The salotto in the inventory of 1600 was the "camera a mezzo l'andito della Signora," and its anticamera was th; Fig. 8. Plan of the primo piano of the Corsi-Horne Palace (Fani Revithiadu).; Fig. 7. Plan of the primo piano of the Borgherini Palace in the sixteenth century (reconstruction, Giampaolo Trotta). North is to the bottom
- Fig. 6. Plan of the primo piano of the Gondi Palace (Enrico Au Capitaine, 1867) spaces are labeled according to the division of 1537. Photo Andrea Lensini. North is to the right.; Fig. 4. Plan of the primo piano of the Pazzi Palace (reconstruction); spaces labeled according to an inventory of 1626 (Caterina D'Amelio).; Fig. 3. Plan of the primo piano of the Tornabuoni Palace in 1498 (reconstruction); spaces labeled according to the inventory of that year (Caterina D'Amelio)
- Fig. 2. Plan of the primo piano of the Gianfigliazzi Palace, with spaces labeled according to the inventory of 1485 (reconstruction by Matthew Haberling). Fig. 1. Plan of the primo piano of the Medici Palace, 1650, with selected rooms labeled according to the inventory of 1492. North is to the right.; Fig. 5. Plan of the eastern half of the primo piano of the palace of Alberto di Zanobi, later of Francesco Nori (Giuseppe Medici, 1766).; A Palace Built by a Princess?
- Fig. 4. Palazzo Pamphilj, piano nobile, from Bosticco, Piazza Navona, isola dei Pamphilj. Development of the palazzo, 1612-1646 (plan modifications by Rebecca Charbonneau). Fig. 3. Unknown Artist, View of Piazza Navona (from south end), c.1630 (Museo di Roma, MR 3651). Palazzetto Pamphilj is visible in the lower left corner of the painting.; Fig. 2. Stefano Pignatelli, Palazzetto Pamphilj, piano nobile plan, 1615 (ADP 86.2.2). Olimpia and Pamphilio's apartments are delineated in slightly darker ink at the left of the plan
- Isbn
- 9781599103082
- Label
- Patronage, gender and the arts in early modern Italy : essays in honor of Carolyn Valone
- Title
- Patronage, gender and the arts in early modern Italy
- Title remainder
- essays in honor of Carolyn Valone
- Statement of responsibility
- Katherine A. McIver and Cynthia Stollhans, editors
- Title variation
-
- Patronage, gender & the arts
- Patronage, gender & the arts in early modern Italy
- Language
- eng
- Summary
- The sixteen articles in this volume celebrate the work and legacy of Carolyn Valone, professor of Art History, teacher, mentor and friend to many. Valone's publications on ""matrons as patrons"" and ""pie donne"" became influential, ground-breaking work in the 1990s. Her continuing research on women as patrons of art and architecture has pioneered a methodological approach that many scholars have followed. 53 color and black and white illustrations. Bibliography of Carolyn Valone's Works, index
- Cataloging source
- YDX
- Dewey number
- 707.9/45
- Illustrations
- illustrations
- Index
- index present
- LC call number
- NX705.5.I8
- LC item number
- P38 2015eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
-
- Valone, Carolyn
- McIver, Katherine A.
- Stollhans, Cynthia
- Series statement
- Italica Press studies in art and history
- http://library.link/vocab/subjectName
-
- Art patronage
- Women art patrons
- Arts, Italian
- Arts and society
- HISTORY
- Art patronage
- Arts and society
- Arts, Italian
- Women art patrons
- Italy
- Label
- Patronage, gender and the arts in early modern Italy : essays in honor of Carolyn Valone, Katherine A. McIver and Cynthia Stollhans, editors
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Intro; The "Wife's Room" in Florentine Palaces of the Fifteenth and Sixteenth Centuries; Fig. 9. Plan of the primo piano of the Capponi-Barocchi Palace in the fifteenth and sixteenth centuries (reconstruction) (Caterina D'Amelio). (The salotto in the inventory of 1600 was the "camera a mezzo l'andito della Signora," and its anticamera was th; Fig. 8. Plan of the primo piano of the Corsi-Horne Palace (Fani Revithiadu).; Fig. 7. Plan of the primo piano of the Borgherini Palace in the sixteenth century (reconstruction, Giampaolo Trotta). North is to the bottom
- Fig. 6. Plan of the primo piano of the Gondi Palace (Enrico Au Capitaine, 1867) spaces are labeled according to the division of 1537. Photo Andrea Lensini. North is to the right.; Fig. 4. Plan of the primo piano of the Pazzi Palace (reconstruction); spaces labeled according to an inventory of 1626 (Caterina D'Amelio).; Fig. 3. Plan of the primo piano of the Tornabuoni Palace in 1498 (reconstruction); spaces labeled according to the inventory of that year (Caterina D'Amelio)
- Fig. 2. Plan of the primo piano of the Gianfigliazzi Palace, with spaces labeled according to the inventory of 1485 (reconstruction by Matthew Haberling). Fig. 1. Plan of the primo piano of the Medici Palace, 1650, with selected rooms labeled according to the inventory of 1492. North is to the right.; Fig. 5. Plan of the eastern half of the primo piano of the palace of Alberto di Zanobi, later of Francesco Nori (Giuseppe Medici, 1766).; A Palace Built by a Princess?
- Fig. 4. Palazzo Pamphilj, piano nobile, from Bosticco, Piazza Navona, isola dei Pamphilj. Development of the palazzo, 1612-1646 (plan modifications by Rebecca Charbonneau). Fig. 3. Unknown Artist, View of Piazza Navona (from south end), c.1630 (Museo di Roma, MR 3651). Palazzetto Pamphilj is visible in the lower left corner of the painting.; Fig. 2. Stefano Pignatelli, Palazzetto Pamphilj, piano nobile plan, 1615 (ADP 86.2.2). Olimpia and Pamphilio's apartments are delineated in slightly darker ink at the left of the plan
- Control code
- 994039649
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9781599103082
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt1rmh3s4
- Specific material designation
- remote
- System control number
- (OCoLC)994039649
- Label
- Patronage, gender and the arts in early modern Italy : essays in honor of Carolyn Valone, Katherine A. McIver and Cynthia Stollhans, editors
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Intro; The "Wife's Room" in Florentine Palaces of the Fifteenth and Sixteenth Centuries; Fig. 9. Plan of the primo piano of the Capponi-Barocchi Palace in the fifteenth and sixteenth centuries (reconstruction) (Caterina D'Amelio). (The salotto in the inventory of 1600 was the "camera a mezzo l'andito della Signora," and its anticamera was th; Fig. 8. Plan of the primo piano of the Corsi-Horne Palace (Fani Revithiadu).; Fig. 7. Plan of the primo piano of the Borgherini Palace in the sixteenth century (reconstruction, Giampaolo Trotta). North is to the bottom
- Fig. 6. Plan of the primo piano of the Gondi Palace (Enrico Au Capitaine, 1867) spaces are labeled according to the division of 1537. Photo Andrea Lensini. North is to the right.; Fig. 4. Plan of the primo piano of the Pazzi Palace (reconstruction); spaces labeled according to an inventory of 1626 (Caterina D'Amelio).; Fig. 3. Plan of the primo piano of the Tornabuoni Palace in 1498 (reconstruction); spaces labeled according to the inventory of that year (Caterina D'Amelio)
- Fig. 2. Plan of the primo piano of the Gianfigliazzi Palace, with spaces labeled according to the inventory of 1485 (reconstruction by Matthew Haberling). Fig. 1. Plan of the primo piano of the Medici Palace, 1650, with selected rooms labeled according to the inventory of 1492. North is to the right.; Fig. 5. Plan of the eastern half of the primo piano of the palace of Alberto di Zanobi, later of Francesco Nori (Giuseppe Medici, 1766).; A Palace Built by a Princess?
- Fig. 4. Palazzo Pamphilj, piano nobile, from Bosticco, Piazza Navona, isola dei Pamphilj. Development of the palazzo, 1612-1646 (plan modifications by Rebecca Charbonneau). Fig. 3. Unknown Artist, View of Piazza Navona (from south end), c.1630 (Museo di Roma, MR 3651). Palazzetto Pamphilj is visible in the lower left corner of the painting.; Fig. 2. Stefano Pignatelli, Palazzetto Pamphilj, piano nobile plan, 1615 (ADP 86.2.2). Olimpia and Pamphilio's apartments are delineated in slightly darker ink at the left of the plan
- Control code
- 994039649
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9781599103082
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt1rmh3s4
- Specific material designation
- remote
- System control number
- (OCoLC)994039649
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.mst.edu/portal/Patronage-gender-and-the-arts-in-early-modern/xN1kgodSUvc/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.mst.edu/portal/Patronage-gender-and-the-arts-in-early-modern/xN1kgodSUvc/">Patronage, gender and the arts in early modern Italy : essays in honor of Carolyn Valone, Katherine A. McIver and Cynthia Stollhans, editors</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.mst.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.mst.edu/">Missouri University of Science & Technology Library</a></span></span></span></span></div>
