The Resource The cinema of Ang Lee : the other side of the screen, Whitney Crothers Dilley
The cinema of Ang Lee : the other side of the screen, Whitney Crothers Dilley
Resource Information
The item The cinema of Ang Lee : the other side of the screen, Whitney Crothers Dilley represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library.This item is available to borrow from 1 library branch.
Resource Information
The item The cinema of Ang Lee : the other side of the screen, Whitney Crothers Dilley represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library.
This item is available to borrow from 1 library branch.
- Summary
- Through suggestive readings of gender and identity, this book explores the international appeal of an acclaimed contemporary director. The author has revised the book's introduction to reflect Ang Lee's new films and their global reception and adds to the text a consideration of new developments in Chinese film, recent critiques of Brokeback Mountain (2005), and chapters on Lust/Caution (2007), Taking Woodstock (2009), and Life of Pi (2012)
- Language
- eng
- Edition
- Second edition.
- Extent
- 1 online resource (231 pages)
- Contents
-
- Introduction: Ang Lee: a history
- Ang Lee as director: his position in Asian and world cinema
- Confucian values and cultural displacement in Pushing hands
- Transgressing boundaries of gender and culture in The wedding banquet
- Globalization and cultural identity in Eat drink man woman
- Opposition and resolution in sense and sensibility
- Fragmentary narratives/fragmented identities in The ice storm
- Race, gender, class, and social identity in Ride with the devil
- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon
- The ultimate outsider: Hulk
- Transcending gender in Brokeback Mountain
- Eroticism and performance in Lust/Caution
- Memory, narrative, and transformation in Taking Woodstock
- Storytelling and truth in Life of Pi: a spiritual journey
- Conclusion: the dream of cinema
- Isbn
- 9780231538497
- Label
- The cinema of Ang Lee : the other side of the screen
- Title
- The cinema of Ang Lee
- Title remainder
- the other side of the screen
- Statement of responsibility
- Whitney Crothers Dilley
- Language
- eng
- Summary
- Through suggestive readings of gender and identity, this book explores the international appeal of an acclaimed contemporary director. The author has revised the book's introduction to reflect Ang Lee's new films and their global reception and adds to the text a consideration of new developments in Chinese film, recent critiques of Brokeback Mountain (2005), and chapters on Lust/Caution (2007), Taking Woodstock (2009), and Life of Pi (2012)
- Cataloging source
- YDXCP
- http://library.link/vocab/creatorName
- Dilley, Whitney Crothers
- Dewey number
- 791.4302/33092
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1998.3.L438
- LC item number
- D55 2015
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Directors' cuts
- http://library.link/vocab/subjectName
-
- Lee, Ang
- Lee, Ang
- PERFORMING ARTS
- PERFORMING ARTS
- Label
- The cinema of Ang Lee : the other side of the screen, Whitney Crothers Dilley
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: Ang Lee: a history -- Ang Lee as director: his position in Asian and world cinema -- Confucian values and cultural displacement in Pushing hands -- Transgressing boundaries of gender and culture in The wedding banquet -- Globalization and cultural identity in Eat drink man woman -- Opposition and resolution in sense and sensibility -- Fragmentary narratives/fragmented identities in The ice storm -- Race, gender, class, and social identity in Ride with the devil -- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon -- The ultimate outsider: Hulk -- Transcending gender in Brokeback Mountain -- Eroticism and performance in Lust/Caution -- Memory, narrative, and transformation in Taking Woodstock -- Storytelling and truth in Life of Pi: a spiritual journey -- Conclusion: the dream of cinema
- Control code
- 899276833
- Dimensions
- unknown
- Edition
- Second edition.
- Extent
- 1 online resource (231 pages)
- Form of item
- online
- Isbn
- 9780231538497
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- e39b90de-db2a-42d8-8bca-23c1729cbedb
- 22573/ctt13k0s12
- Publisher number
- EB00662853
- Specific material designation
- remote
- System control number
- (OCoLC)899276833
- Label
- The cinema of Ang Lee : the other side of the screen, Whitney Crothers Dilley
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: Ang Lee: a history -- Ang Lee as director: his position in Asian and world cinema -- Confucian values and cultural displacement in Pushing hands -- Transgressing boundaries of gender and culture in The wedding banquet -- Globalization and cultural identity in Eat drink man woman -- Opposition and resolution in sense and sensibility -- Fragmentary narratives/fragmented identities in The ice storm -- Race, gender, class, and social identity in Ride with the devil -- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon -- The ultimate outsider: Hulk -- Transcending gender in Brokeback Mountain -- Eroticism and performance in Lust/Caution -- Memory, narrative, and transformation in Taking Woodstock -- Storytelling and truth in Life of Pi: a spiritual journey -- Conclusion: the dream of cinema
- Control code
- 899276833
- Dimensions
- unknown
- Edition
- Second edition.
- Extent
- 1 online resource (231 pages)
- Form of item
- online
- Isbn
- 9780231538497
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- e39b90de-db2a-42d8-8bca-23c1729cbedb
- 22573/ctt13k0s12
- Publisher number
- EB00662853
- Specific material designation
- remote
- System control number
- (OCoLC)899276833
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.mst.edu/portal/The-cinema-of-Ang-Lee--the-other-side-of-the/1_0DVkSrkNM/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.mst.edu/portal/The-cinema-of-Ang-Lee--the-other-side-of-the/1_0DVkSrkNM/">The cinema of Ang Lee : the other side of the screen, Whitney Crothers Dilley</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.mst.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.mst.edu/">Missouri University of Science & Technology Library</a></span></span></span></span></div>