The Resource The films of Susanne Bier, edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice
The films of Susanne Bier, edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice
Resource Information
The item The films of Susanne Bier, edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library.This item is available to borrow from 1 library branch.
Resource Information
The item The films of Susanne Bier, edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library.
This item is available to borrow from 1 library branch.
- Summary
- The award-winning Danish director Susanne Bier has become increasingly known for her generic innovations and industrial fluidity, moving confidently between cinema and television at a time where the scarcity of women directors has become a subject of major critical and popular attention. This book is a dynamic, scholarly engagement with Bier's work, and a timely consideration of her impressive authorial achievements. Featuring essays from both recognized and up-and-coming scholars in Scandinavian, transnational and feminist film and media studies, this book also includes an original interview with Bier, addressing some of the provocative readings of her films advanced by the contributors
- Language
- eng
- Extent
- 1 online resource ( xiv, 298 pages ):
- Contents
-
- Gunhild Agger
- 3.
- Susanne Bier's Hollywood Experiments: Things We Lost in the Fire and Serena
- Missy Molloy
- pt. 2
- Negotiating Identity
- 4.
- Beginning with Jewish Survival: Freud's Leaving Home
- Maureen Turim
- 5.
- Machine generated contents note:
- Stories with Queer Identities
- Anders Marklund
- 6.
- Judaism and Danish Directors: The Case of Lars von Trier vs. Susanne Bier
- Petur Valsson
- 7.
- Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production
- Mette Hjort
- pt. 3
- Authorship and Aesthetics
- pt. 1
- 8.
- Tracing Affect in Susanne Bier's Dramas
- Mimi Nielsen
- 9.
- Vision and Ethics in A Second Chance: (En chance til)
- Danica van de Velde
- 10.
- Truth is in the Eyes: Susanne Bier's Use of Close-ups in The Night Manager
- Eva Novrup Redvall
- pt. 4
- Generic and Industrial Fluidity
- Transnational Reach
- 11.
- Cinema of the World and Women's Film Culture: Susanne Bier's Transnational Cinema
- Belinda Smaill
- 12.
- From Local to Global: The Bier/Jensen Screenwriting Collaboration
- Cath Moore
- 13.
- Danish Privilege and Responsibility in the Work of Susanne Bier
- Meryl Shriver-Rice
- 1.
- Storytelling Schemes, Realism, and Ambiguity: Susanne Bier's Danish Dramas
- Birger Langkjoer
- 2.
- Negotiating Special Relationships: Susanne Bier's Comedies
- Isbn
- 9781474428743
- Label
- The films of Susanne Bier
- Title
- The films of Susanne Bier
- Statement of responsibility
- edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice
- Title variation
- ReFocus
- Language
- eng
- Summary
- The award-winning Danish director Susanne Bier has become increasingly known for her generic innovations and industrial fluidity, moving confidently between cinema and television at a time where the scarcity of women directors has become a subject of major critical and popular attention. This book is a dynamic, scholarly engagement with Bier's work, and a timely consideration of her impressive authorial achievements. Featuring essays from both recognized and up-and-coming scholars in Scandinavian, transnational and feminist film and media studies, this book also includes an original interview with Bier, addressing some of the provocative readings of her films advanced by the contributors
- Biography type
- contains biographical information
- Cataloging source
- NhCcYBP
- Dewey number
- 791.4302/33092
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1998.3.B563
- LC item number
- F55 2018
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- filmographies
- http://library.link/vocab/relatedWorkOrContributorName
-
- Molloy, Missy
- Nielsen, Mimi
- Shriver-Rice, Meryl
- ProQuest (Firm)
- Series statement
- Refocus: The International Directors Series
- http://library.link/vocab/subjectName
-
- Bier, Susanne
- Bier, Susanne
- Motion picture producers and directors
- Women motion picture producers and directors
- Label
- The films of Susanne Bier, edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references, filmography (pages 283-284) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Gunhild Agger
- 3.
- Susanne Bier's Hollywood Experiments: Things We Lost in the Fire and Serena
- Missy Molloy
- pt. 2
- Negotiating Identity
- 4.
- Beginning with Jewish Survival: Freud's Leaving Home
- Maureen Turim
- 5.
- Machine generated contents note:
- Stories with Queer Identities
- Anders Marklund
- 6.
- Judaism and Danish Directors: The Case of Lars von Trier vs. Susanne Bier
- Petur Valsson
- 7.
- Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production
- Mette Hjort
- pt. 3
- Authorship and Aesthetics
- pt. 1
- 8.
- Tracing Affect in Susanne Bier's Dramas
- Mimi Nielsen
- 9.
- Vision and Ethics in A Second Chance: (En chance til)
- Danica van de Velde
- 10.
- Truth is in the Eyes: Susanne Bier's Use of Close-ups in The Night Manager
- Eva Novrup Redvall
- pt. 4
- Generic and Industrial Fluidity
- Transnational Reach
- 11.
- Cinema of the World and Women's Film Culture: Susanne Bier's Transnational Cinema
- Belinda Smaill
- 12.
- From Local to Global: The Bier/Jensen Screenwriting Collaboration
- Cath Moore
- 13.
- Danish Privilege and Responsibility in the Work of Susanne Bier
- Meryl Shriver-Rice
- 1.
- Storytelling Schemes, Realism, and Ambiguity: Susanne Bier's Danish Dramas
- Birger Langkjoer
- 2.
- Negotiating Special Relationships: Susanne Bier's Comedies
- Control code
- MSTDDA5400109
- Dimensions
- unknown
- Extent
- 1 online resource ( xiv, 298 pages ):
- File format
- unknown
- Form of item
- online
- Isbn
- 9781474428743
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- color illustrations.
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Reproduction note
- Electronic reproduction.
- Sound
- unknown sound
- Specific material designation
- remote
- Label
- The films of Susanne Bier, edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references, filmography (pages 283-284) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Gunhild Agger
- 3.
- Susanne Bier's Hollywood Experiments: Things We Lost in the Fire and Serena
- Missy Molloy
- pt. 2
- Negotiating Identity
- 4.
- Beginning with Jewish Survival: Freud's Leaving Home
- Maureen Turim
- 5.
- Machine generated contents note:
- Stories with Queer Identities
- Anders Marklund
- 6.
- Judaism and Danish Directors: The Case of Lars von Trier vs. Susanne Bier
- Petur Valsson
- 7.
- Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production
- Mette Hjort
- pt. 3
- Authorship and Aesthetics
- pt. 1
- 8.
- Tracing Affect in Susanne Bier's Dramas
- Mimi Nielsen
- 9.
- Vision and Ethics in A Second Chance: (En chance til)
- Danica van de Velde
- 10.
- Truth is in the Eyes: Susanne Bier's Use of Close-ups in The Night Manager
- Eva Novrup Redvall
- pt. 4
- Generic and Industrial Fluidity
- Transnational Reach
- 11.
- Cinema of the World and Women's Film Culture: Susanne Bier's Transnational Cinema
- Belinda Smaill
- 12.
- From Local to Global: The Bier/Jensen Screenwriting Collaboration
- Cath Moore
- 13.
- Danish Privilege and Responsibility in the Work of Susanne Bier
- Meryl Shriver-Rice
- 1.
- Storytelling Schemes, Realism, and Ambiguity: Susanne Bier's Danish Dramas
- Birger Langkjoer
- 2.
- Negotiating Special Relationships: Susanne Bier's Comedies
- Control code
- MSTDDA5400109
- Dimensions
- unknown
- Extent
- 1 online resource ( xiv, 298 pages ):
- File format
- unknown
- Form of item
- online
- Isbn
- 9781474428743
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- color illustrations.
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Reproduction note
- Electronic reproduction.
- Sound
- unknown sound
- Specific material designation
- remote
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.mst.edu/portal/The-films-of-Susanne-Bier-edited-by-Missy/jxqOxOFW1wE/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.mst.edu/portal/The-films-of-Susanne-Bier-edited-by-Missy/jxqOxOFW1wE/">The films of Susanne Bier, edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.mst.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.mst.edu/">Missouri University of Science & Technology Library</a></span></span></span></span></div>
