Coverart for item
The Resource Waiting for the end : gender and ending in the contemporary novel, Earl G. Ingersoll

Waiting for the end : gender and ending in the contemporary novel, Earl G. Ingersoll

Label
Waiting for the end : gender and ending in the contemporary novel
Title
Waiting for the end
Title remainder
gender and ending in the contemporary novel
Statement of responsibility
Earl G. Ingersoll
Creator
Subject
Genre
Language
eng
Summary
"Waiting for the End examines two dozen contemporary novels within the context of a half century of theorizing about the function of ending in narrative. That theorizing about ending generated a powerful dynamic a quarter-century ago with the advent of feminist criticism of "masculinist" readings of the role played by ending in fiction. Feminists such as Theresa de Lauretis in 1984 and more famously Susan Winnett in her 1991 PMLA essay, "Coming Unstrung," were leading voices in a swelling chorus of theorists pointing out the masculinist bias of ending in narrative. With the entry of feminist readings of ending, it became inevitable that criticism of fiction would become "gendered" through the recognition of "difference" transcending a simple binary of female/male to establish a spectrum of masculine to feminine endings, regardless of the sex of the writer. Accordingly, Waiting for the End examines pairs of novels - one pair by Margaret Atwood and one by Ian McEwan - to demonstrate how a writer can offer endings at either end of the gender spectrum."--Jacket
Member of
Action
digitized
Cataloging source
OCLCE
Citation source
E & GL Index
http://library.link/vocab/creatorDate
1938-
http://library.link/vocab/creatorName
Ingersoll, Earl G.
Dewey number
823/.91409928
Index
index present
Language note
English
LC call number
PR888.C587
LC item number
I54 2007
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • English fiction
  • Closure (Rhetoric)
  • Sex role in literature
  • Feminism and literature
  • Closure (Rhetoric)
  • English fiction
  • Feminism and literature
  • Sex role in literature
  • Romanschluss
  • Geschlechterrolle
  • Englisch
  • Roman
  • Schluss
  • Roman
  • Geschlechtsrolle
  • Roman
  • Geschlechterrolle
  • Roman
  • Englisch
  • Ende
  • Roman
  • Englisch
Label
Waiting for the end : gender and ending in the contemporary novel, Earl G. Ingersoll
Instantiates
Publication
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references (pages 274-281) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • A proliferation of endings: Graham Swift's Waterland
  • The joke's on Freud: D.M. Thomas's The white hotel
  • Undoing the Paradigm : perhaps
  • The shell game of ending(s): John Fowles's The French lieutenant's woman
  • "Double" ending by misunderstanding: Anthony Burgess's A clockwork orange
  • Is there an ending in this text? David Lodge's Changing places
  • The faked climax and the anticlimax in Joyce Carol Oates's Bellefleur
  • Will the real author please stand up? Ian McEwan's Atonement
  • Another question of ending: L.P. Hartley's The go-between
  • An ending opening to the future: Margaret Atwood's The handmaid's tale
  • The beginning of the end
  • Ending elsewhere: Jean Rhys's Wide Sargasso sea
  • Escaping the paradigm by ignoring it
  • The great circle: Doris Lessing's The golden notebook
  • Recurrent circles: Nawal El Saadawi's The fall of the Imam
  • Is there a novel in this text? Julian Barnes's A history of the world in 10 1/2 chapters
  • Can two novellas make a novel? A.S. Byatt's Angels & insects
  • Beginning again--and again: Italo Calvino's If on a winter's night a traveler
  • Troubling linearity: Manlio Argueta's Cuzcatlán
  • The ending is in the beginning: Jeanette Winterson's Written on the body
  • Tales of the masculine narrative paradigm
  • City of endings: Ian McEwan's Amsterdam
  • The lure of the story: Kazuo Ishiguro's When we were orphans
  • Writing like a boy: Stephen Millhauser's Edwin Mullhouse
  • Writing "Like a man": Margaret Atwood's The blind assassin
  • The metaphoricity ending: Colum McCann's This side of brightness
  • Ending in a pickle: Salman Rushdie's Midnight's children
Control code
608151460
Dimensions
unknown
Extent
1 online resource (286 pages)
Form of item
online
Isbn
9780838644560
Lccn
2006037383
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)608151460
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
Waiting for the end : gender and ending in the contemporary novel, Earl G. Ingersoll
Publication
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references (pages 274-281) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • A proliferation of endings: Graham Swift's Waterland
  • The joke's on Freud: D.M. Thomas's The white hotel
  • Undoing the Paradigm : perhaps
  • The shell game of ending(s): John Fowles's The French lieutenant's woman
  • "Double" ending by misunderstanding: Anthony Burgess's A clockwork orange
  • Is there an ending in this text? David Lodge's Changing places
  • The faked climax and the anticlimax in Joyce Carol Oates's Bellefleur
  • Will the real author please stand up? Ian McEwan's Atonement
  • Another question of ending: L.P. Hartley's The go-between
  • An ending opening to the future: Margaret Atwood's The handmaid's tale
  • The beginning of the end
  • Ending elsewhere: Jean Rhys's Wide Sargasso sea
  • Escaping the paradigm by ignoring it
  • The great circle: Doris Lessing's The golden notebook
  • Recurrent circles: Nawal El Saadawi's The fall of the Imam
  • Is there a novel in this text? Julian Barnes's A history of the world in 10 1/2 chapters
  • Can two novellas make a novel? A.S. Byatt's Angels & insects
  • Beginning again--and again: Italo Calvino's If on a winter's night a traveler
  • Troubling linearity: Manlio Argueta's Cuzcatlán
  • The ending is in the beginning: Jeanette Winterson's Written on the body
  • Tales of the masculine narrative paradigm
  • City of endings: Ian McEwan's Amsterdam
  • The lure of the story: Kazuo Ishiguro's When we were orphans
  • Writing like a boy: Stephen Millhauser's Edwin Mullhouse
  • Writing "Like a man": Margaret Atwood's The blind assassin
  • The metaphoricity ending: Colum McCann's This side of brightness
  • Ending in a pickle: Salman Rushdie's Midnight's children
Control code
608151460
Dimensions
unknown
Extent
1 online resource (286 pages)
Form of item
online
Isbn
9780838644560
Lccn
2006037383
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)608151460
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

Library Locations

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      37.955220 -91.772210
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