Aardman animations : beyond stop motion, edited by Annabelle Honess Roe
Resource Information
The instance Aardman animations : beyond stop motion, edited by Annabelle Honess Roe represents a material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library. This resource is a combination of several types including: Instance, Electronic.
The Resource
Aardman animations : beyond stop motion, edited by Annabelle Honess Roe
Resource Information
The instance Aardman animations : beyond stop motion, edited by Annabelle Honess Roe represents a material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library. This resource is a combination of several types including: Instance, Electronic.
- Label
- Aardman animations : beyond stop motion, edited by Annabelle Honess Roe
- Title remainder
- beyond stop motion
- Statement of responsibility
- edited by Annabelle Honess Roe
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
-
- text
- still image
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
-
- Joseph Darlington
- 3.
- Ỳahoo! My last moment has come': Peter Lord and the Literacy of Wit and Nostalgia
- Paul Wells
- 4.
- From Europe to Hollywood and Back Again: Aardman and Its Studio Partners
- Christopher Meir
- Section Two
- Cultural Contexts
- 5.
- Machine generated contents note:
- Aardman's Early Shorts and the British Social Realist Tradition
- Fatemeh Hosseini-Shakib
- 6.
- Darker Heartland: Otherness, Dysfunction and the Uncanny in Aardman's Short Films
- Jane Batkin
- 7.
- Washed Up: Animating Literary Corpses in The Pearce Sisters
- Nicholas Andrew Miller
- 8.
- Wallace and Gromit and the British Fantasy Tradition
- Section One
- Alexander Sergeant
- Section Three
- Process and Production
- 9.
- Animation Storyboarding as Part of the Pre-Production Process: An Aardman Case Study
- Paul Ward
- 10.
- Life's a Treat: Shaun, Timmy, Aardman and Children's Television
- Linda Simensky
- 11.
- Identity and Brand
- Shaun the Sheep -- Buster Keaton Reborn?
- Richard Haynes
- Section Four
- Surface and Performance
- 12.
- Aardman's Neo-Baroque: The Dual Nature of Special Effects in Aardman's Feature Film Production
- Thomas Walsh
- 13.
- Performing Authenticity through Clay in the Wallace and Gromit Films
- Laura Ivins
- 1.
- 14.
- Between Plasticine and Pixel: Aardman's Digital Thumbprint
- Christopher Holliday
- 15.
- Aardman! In an Entanglement with CGI!
- Aylish Wood
- Àll you do is call me, I'll be anything you need': Aardman Animations, Music Videos and Commercials
- Malcolm Cook
- 2.
- Music, Sound and Northernness in the Wallace and Gromit Films
- Control code
- MSTDDA6031958
- Dimensions
- unknown
- Extent
- 1 online resource ( ):
- Form of item
- online
- Isbn
- 9781350130319
- Media category
- electronic
- Media MARC source
- isbdmedia
- Other control number
- 10.5040/9781350130319
- Other physical details
- illustrations (black and white)
- Record ID
- .b132473586
- Reproduction note
- Electronic reproduction.
- Specific material designation
- remote
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.mst.edu/resource/M0GmA9GOkOE/" typeof="Book http://bibfra.me/vocab/lite/Instance"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.mst.edu/resource/M0GmA9GOkOE/">Aardman animations : beyond stop motion, edited by Annabelle Honess Roe</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.mst.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.mst.edu/">Missouri University of Science & Technology Library</a></span></span></span></span></div>