Actor training, edited by Alison Hodge
Resource Information
The instance Actor training, edited by Alison Hodge represents a material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library. This resource is a combination of several types including: Instance, Electronic.
The Resource
Actor training, edited by Alison Hodge
Resource Information
The instance Actor training, edited by Alison Hodge represents a material embodiment of a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library. This resource is a combination of several types including: Instance, Electronic.
- Label
- Actor training, edited by Alison Hodge
- Statement of responsibility
- edited by Alison Hodge
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Michel Saint-Denis: training the complete actor
- Jane Baldwin
- The Knebel technique: active analysis in practice
- Sharon Marie Carnicke
- Brecht and actor training: on whose behalf do we act?
- Peter Thomson
- Joan Littlewood
- Clive Barker
- Strasberg, Adler and Meisner: method acting
- David Krasner
- Stanislavsky's system: pathways for the actor
- Joseph Chaikin and aspects of actor training: possibilities rendered present
- Dorinda Hulton
- Peter Brook: transparency and the invisible network
- Lorna Marshall and David Williams
- Grotowski's vision of the actor: the search for contact
- Lisa Wolford
- Jacques Lecoq, Monika Pagneux and Philippe Gaulier: training for play, lightness and disobedience
- Simon Murray
- Training with Eugenio Barba: acting principles, the pre-expressive and "personal temperature"
- Ian Watson
- Sharon Marie Carnicke
- Ariane Mnouchkine and the Théâtre du Soleil: theatricalising history; the theatre as metaphor; the actor as signifier
- Helen E. Richardson
- Włodzimierz Staniewski : Gardzienice and the naturalised actor
- Alison Hodge
- Anne Bogart and SITI Company: creating the moment
- Royd Climenhaga
- Augusto Boal and the Theatre of the Oppressed
- Frances Babbage
- Meyerhold and Biomechanics
- Rrobert Leach
- Jacques Copeau: the quest for sincerity
- John Rudlin --
- Michael Chekhov on the technique of acting: "was Don Quixote true to life?"
- Franc Chamberlain
- Control code
- 609589023
- Dimensions
- unknown
- Edition
- 2nd ed.
- Extent
- 1 online resource (xxvi, 336 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780203861370
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- illustrations
- Quality assurance targets
- not applicable
- Record ID
- .b130350709
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)609589023
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.mst.edu/resource/VjMK4gbytyQ/" typeof="Book http://bibfra.me/vocab/lite/Instance"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.mst.edu/resource/VjMK4gbytyQ/">Actor training, edited by Alison Hodge</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.mst.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.mst.edu/">Missouri University of Science & Technology Library</a></span></span></span></span></div>
