Women, Art and the Politics of Identity in Eighteenth-Century Europe

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The Resource Women, Art and the Politics of Identity in Eighteenth-Century Europe

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Contents: Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Figures -- Contributors -- Acknowledgements -- 1 Introduction: Art, Cultural Politics and the Woman Question -- 2 'An Ornament of Italy and the Premier Female Painter of Europe': Rosalba Camera and the Roman Academy -- 3 Lovisa Ulrike of Sweden, Chardin and Enlightened Despotism -- 4 Practicing Portraiture: Mademoiselle de Clermont and J.-M. Nattier -- 5 Commerce in the Boudoir -- 6 Matronage and the Direction of Sisterhood: Portraits of Madame Adélaïde -- 7 Under the Sign of Minerva: Adélaïde Labille-Guiard's Portrait of Madame Adélaïde -- 8 The Cradle is Empty: Élisabeth Vigée-Lebrun, Marie- Antoinette, and the Problem of Intention -- 9 Ancient Matrons and Modern Patrons: Angelica Kauffman as a Classical History Painter -- 10 Angelica's Odyssey: Kauffman's Paintings of Penelope and the Weaving of Narrative -- 11 The 'Other Atelier': Jacques-Louis David's Female Students -- 12 Goya's Portraits of the Duchess of Osuna: Fashioning Identity in Enlightenment Spain -- Bibliography -- Index

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