Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film
Resource Information
The work Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film represents a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film
Resource Information
The work Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film represents a distinct intellectual or artistic creation found in Missouri University of Science & Technology Library. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film
- Title remainder
- opera · orchestra · phonograph · film
- Statement of responsibility
- Richard Leppert
- Subject
-
- Days of heaven (Motion picture)
- Days of heaven (Motion picture)
- Electronic book
- Electronic books
- Fanciulla del West (Puccini, Giacomo)
- Fitzcarraldo (Motion picture)
- Fitzcarraldo (Motion picture)
- History
- MUSIC -- Genres & Styles | Classical
- MUSIC -- Genres & Styles | Opera
- MUSIC -- Reference
- Modernism (Music)
- Modernism (Music) -- History -- 20th century
- Motion pictures -- Social aspects
- Music -- Philosophy and aesthetics
- Music -- Philosophy and aesthetics
- Nature in motion pictures
- Nature in motion pictures
- Nature in music
- Nature in music
- Opera -- Social aspects
- Opera -- Social aspects
- Puccini, Giacomo, 1858-1924
- Sound recordings -- Social aspects
- Sound recordings -- Social aspects
- Motion pictures -- Social aspects
- 1900-1999
- Language
- eng
- Summary
- "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas--cultural, social, and personal--associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"--Provided by publisher
- Cataloging source
- N$T
- Dewey number
- 780.9/04
- Illustrations
- illustrations
- Index
- index present
- LC call number
- ML3845
- LC item number
- .L44 2015eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
Context
Context of Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · filmWork of
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